A woman turns to prescription medication as a way of handling her anxiety concerning her husband's upcoming release from prison.

Former high school lab partners Marshall and Frances begin to unravel a conspiracy involving big pharma and the federal government to suppress knowledge of a rare mushroom that may hold the key to curing all the world’s diseases.

An easy-going man ensures that the spark in his marriage stays strong by always apologizing and opting for the path of least conflict in his relationship. When his wife becomes pregnant and wishes to have the baby, he does not offer resistance, but is also not ready to be a father. How will their relationship evolve?

For many* women, Barry can make a difference in just one week! *Side effects of Barry include weakness in the knees, impaired judgment, lying, cheating, trips to Vegas, missing work, and missing money. . . .

Known for leaving no stone unturned, especially within his own life and family, Titus takes you on a comedic ride that will make you think, and leave you exhausted from laughter. To see one of Christopher Titus' shows, is to love him. Filmed at the historic El Portal Theater in North Hollywood, CA, Titus performed his tenth special, “Zero Side Effects," to a sold out crowd, where he took on topics like White Supremacy, he apologizes to Millenials and Gen Z, and he recounts in painful detail, his life-altering near-death dental experience, in the way only Titus can.

Winner of the International Emmy Award for Best Telenovela, "Side by Side" focuses on two women of different origins and social classes. The brave Isabel, daughter of a former slave and in love with the capoeira player Zé Maria; and Laura, descendant from a wealthy family and destined to an undesired marriage to Edgar. In addition to an unshakable friendship, the two share the same purpose in life: the conquest of freedom in the conservative society of Rio de Janeiro of the early 20th century.

At 18, fresh from high school, Marina, Ignacio, Adam and Mimi, school mates bonded by fate, shared a dream about adult life, a dream of fame, success, perfect skin and that one endless, true love that, surely, was waiting just around the corner for each one of them. But 30's arrived, and none of the sweet promises of youth was fulfilled. Alone, failed and frustrated, all four are forced to stop and look around to try to understand where it all went wrong, and find an emergency fix for their lives, before it's too late, and happiness escapes through their fingers forever. Secondary Effects is the bitter coming of age comedy that follows their steps in the search for lost dreams, lost hair and good sex, at least, if true love turns out to be a mirage.

"Blood Effects" a mockumentary by film maker Kris Black, is a cross between "Paranormal Activity" and Christopher Guest's "Best in Show". Presented as a "movie-within-a-movie", veteran Bruce Reisman produced Black's scathing satire of Hollywood horror movies, where reality ties itself up with fantasy, and the results are both humorous and horrifying.

After the loss of their father, two estranged sisters reunite with their mother at their enchanting family lake house and find that the secret to overcoming tragedy and rebuilding hope lies in their ability to look deeper at themselves.

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)