A woman turns to prescription medication as a way of handling her anxiety concerning her husband's upcoming release from prison.

Side Effects is a Canadian television series

Former high school lab partners Marshall and Frances begin to unravel a conspiracy involving big pharma and the federal government to suppress knowledge of a rare mushroom that may hold the key to curing all the world’s diseases.

An easy-going man ensures that the spark in his marriage stays strong by always apologizing and opting for the path of least conflict in his relationship. When his wife becomes pregnant and wishes to have the baby, he does not offer resistance, but is also not ready to be a father. How will their relationship evolve?

For many* women, Barry can make a difference in just one week! *Side effects of Barry include weakness in the knees, impaired judgment, lying, cheating, trips to Vegas, missing work, and missing money. . . .

Known for leaving no stone unturned, especially within his own life and family, Titus takes you on a comedic ride that will make you think, and leave you exhausted from laughter. To see one of Christopher Titus' shows, is to love him. Filmed at the historic El Portal Theater in North Hollywood, CA, Titus performed his tenth special, “Zero Side Effects," to a sold out crowd, where he took on topics like White Supremacy, he apologizes to Millenials and Gen Z, and he recounts in painful detail, his life-altering near-death dental experience, in the way only Titus can.

Winner of the International Emmy Award for Best Telenovela, "Side by Side" focuses on two women of different origins and social classes. The brave Isabel, daughter of a former slave and in love with the capoeira player Zé Maria; and Laura, descendant from a wealthy family and destined to an undesired marriage to Edgar. In addition to an unshakable friendship, the two share the same purpose in life: the conquest of freedom in the conservative society of Rio de Janeiro of the early 20th century.

Norwegian sitcom about life on an idyllic street in Granli Norway, where the fences are low and neighborly relations close. Here we meet the residents who struggle with life's challenges big and small, trials all of us can relate to.

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)